Hi all, I am Fabio, and I'm here to re-learn to draw.
As you can see from the linked thread I made also some polished works in the past, but I'm no more satisfied with my own skills for several years.
I started with some perspective practising.
Suggestions about the way to take (figure drawing is always the best start? I can follow Loomis manual...) are welcome.
Thanks to all of you.
Added a cover...
Last edited by FabioGhibli; February 6th, 2010 at 09:21 AM.
Practice with Andrew Loomis proportions.
No care for details by now....
Awsome start for your sketchbook diggin the figure studies
keep it up looking forward to seeing your progression
till next time
sketchbook updated October 6th
In the past I made my best drawing with photos, but I noticed that a life drawing rarely turns out totally bad... and it's way more interesting.
Last edited by FabioGhibli; February 1st, 2010 at 06:03 PM.
I'm practising with mannekins and started to look for some muscles.
I know perspective quite well (from ordinary school) so I'm able to make a construction, but I'm finding difficulties into spatialize from imagination, relating lines and masses to a unique horizon and stuff like that.
Oh, I realize that I'm totally unable to draw gestures...
Last edited by FabioGhibli; February 3rd, 2010 at 09:08 AM.
this is awesome
I finished Loomis manual about figure drawing and now I started "Successful drawing" to consolidate my fundamentals (e.g. perspective).
Studying anatomy on the other side has to be a continous effort, and about that I can use various books.
Two sketches: walking pose from imagination and a quick one from photo (just searching for forms, no tones).
I found all around on the internet some infos and sketches about the Frank Reilly method (there's a thread here too). It looks very interesting and I used it to adjust my approach to sketching.
Anyway, I've finished the second Loomis Manual. Now I think I'll go with Bridgman Anatomy.
Some sketches. No ref.
Very nice Loomis studies. It looks like you have a good understanding of human structure.
What I would like to see added to some of your figures is some movement.
Your poses are kind of stiff feeling for the most part. Try finding some really dynamic poses to copy. This could be athletes from any sport, a lot of people like to copy MMA fighters.
Please keep up the good work!
wow youv'e done some great work with anathomy and the poses, what references are you using for those human body sketches? Keep it up
Cheers/ your friend PMB
"Painting my brain with memories of the future"
Pencil and brush is my choice of weapons!
But now I'll follow your advice. Thank you.
Loomis book itself was my reference material.
The sole drawing made from a precise reference is that nude with blue pencil that you see a pair of post above, and that's the perfect example of my old bad habits.
Oh, and bones drawings too.
Thank you for your support. : )
Last edited by FabioGhibli; February 17th, 2010 at 07:54 AM.
Really nice sketchbook. I agree that the poses are slightly static, though. I'm sure with pose reference you'd be able to easily construct a figure from that! Oh, and I like those expressive pencil lines.
Lots of improvement here in a few posts,the only crit would be(as others mentioned too)the stiff poses,but hey,this is a fine start,with this amount of dedication to drawing,you will be a pro in no time!
"Storytelling is my passion.Shadows and lights are my muse.Art is my first love"-Shawn Martinbrough
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Some really nice improvements so far. One suggestion would be doing some quick figure refs from photos of Olympic athletes to help get a feel for the weight of the body against itself.
Thank you guys for support and your advices.
Right now I'm still studying from Bridgman (I reached the part dedicated to head features) and soon I will put myself in some drawing from photos with athletes or some sort of action poses.
As said before, I'm a bit reluctant because I've been drawing for long, always from photos, and in these years I gained a bunch of flaws.
Now I'm studying to overcome them and then return to drawing from reference with more confidence.
For the moment, here you are the last sketches. No ref.