Hi, sorry if this was posted in the wrong forum, but I need some help with oil pastels. I really don't know how to use them very well, and I just need some tips/tutorials on how to use them. I'm using cray-pas and there probably not the best quality,and I do not have too many colors to work with. Dunno really how to blend them either.
Throw them away.Originally Posted by B-Plant
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"Art is supposed to punch you in the brain, and it's supposed to stay punched."
oil pastels are cheap for the most part and you can get a better selection of them for $10 - $15 at most art supply stores.
As to the usefulness of them, they are a valid medium for more expressive work (impressionism,expressionist,abstract). Realism is probably not going to be easy with these tools -- however if you are really intent upon using them here are some tips:
1) Work on a good quality pastel paper which is toned the color of the majority of the painting -- this reduces valuable time and resources filling vast areas of paper and give s a nice head start of the work -- canson is the brand best known.
2) Quickly scribble in the masses of your underpainting and blend using mineral spirits (the same kind used for oil painting) with a brush -- this will get a good head start on the painting quickly and save much time.
3) Lay in the final layers thickly pressing hard on the pastel to gain some impasto -- one of the many advantages of oil pastel versus regular pastel.
4) If any blending is required in the final layers its best to get a blending stump for this as the mineral spirits is not ideal here.
I would keep with the student grade for a while until you have an idea wether Oil Pastel is for you -- If you decide that it is I highly reccomend Holbien Artist Quality as your pastel of choice, you will find they are superior to nearly any other oil pastel availible -- however a complete set can set you back several hundred dollars.
even with the really good sennier oil pastel is is awesomely difficult to make pastels do anything. they are with out a doubt the most frustrating medium I have ever encountered. this includes Watercolour.
Im not saying beautiful things cant be done withthem..they can. but I think you hav eto really love them as a medium to do that.
toulouse la trec
but blending makes a mess
To see the world in a grain of sand, and a heaven in a wildflower, hold infinity in the palm of your hand, and eternity in an hour.
my opinion -- all pastels (oil or otherwise) should be applied "ala prima" with little or no blending or smudging.
and choosing a paper color that acts as the main "fill" for your image sounds a bit odd to me. i often choose a directly contrasting hue to provide some of the benefits of an underpainting:
this is not oil pastel, but similar effects can be obtained.
Continuity Break -- my sketchbook
Kata femme -- a 3D model WIP, now updated!
The Giordano Gambit -- Barsoomian Zingball at its best!
Valkyrie Ascending -- now updated with the second in a series!
ArmaRagnaGeddonRock-yer-Yuga! -- celeztial shitz 'n' gigglez
I . Miss . America -- "colored [eyes] may hypnotize..."
"In the end, Razputin, aren't we all just dogs playing poker?"
-- Edgar Teglee
I agree about the blending but that was one of the questions asked... as to toned paper its a personal choice but my preference is to go for speed over effect -- effect is easily enough achieved if desired speed on the other hand is a premium that is hard to come by.
Last edited by jason_maranto; February 12th, 2007 at 01:11 AM.
Thanks for all the advice guys!
I'll post the results soon, hopefully I won't mess anything up too bad :]